Spoiler warnings for The Running Grave

As of Nov. 1 2023, I have removed the blue text spoiler warning from The Running Grave. Readers should be forewarned that any Strike post could contain spoilers for the full series.

Wednesday, October 11, 2023

The Double Wedding Band Model: a Possible New Model for a 10-Part Strike and Ellacott Series

As many of you know, I am fond of applying structural models to both Harry Potter and Cormoran Strike novels. I owe a debt of gratitude to John Granger for his inspirational work on Ring Composition and Parallel Series.   John is doing some very interesting work on ring structure within the nine parts of The Running Grave, which, if you are interested in the book's internal structure, is worth checking out on his regular and Substack sites, along with the excellent work by his current colleagues Nick Jeffrey, Evan Willis and Elizabeth Baird Hardy. 

Ever since JKR/RG confirmed that the Strike series would be ten books, I've been going over how Ring Structure and Parallel Series models can be adjusted into a a model that fits, especially since so many of the predictions made originally, like The Running Grave linking to Cuckoo's Calling and Lethal White and having lots of Deathly Hallows echoes., seem to still be coming true. I've also been scratching my head for something that accounts for the relatively simple observations that even and odd-numbered books seem to pair up with each other well, as well as the special connections and resets between Troubled Blood and The Ink Black Heart

And, I think I have something that works, at least until Book Eight comes out. More information, and TRG spoilers, after the jump. 

I'm starting with the model that worked so well for the Harry Potter series, the 7-part ring. For those unfamiliar with it, I will share an adapted diagram from a joint  Queen City Mischief and Magic presentation John Granger and I did back in 2020.

The "turtleback" structure places the seven books in a circle, with the repeated elements of 1. Philosopher's Stone and 7. Deathly Hallows forming a latch, and both connecting vertically to the story-turn book in the center, 4. Goblet of Fire. The horizontal lines connect 2. Chamber of Secrets and 6. Half-blood Prince, with their book-within-the-book theme and 3. Prisoner of Azkaban and 5. Order of the Phoenix, the two Sirius Black-focused books. 


At the time of the talk, 5. Troubled Blood had just been published and we assumed a similar pattern would follow, looking something like this.  However, when seven books became ten, this model would clearly no longer work. My initial solution, the Double Pentagram, was not as satisfactory after the publication of 6. The Ink Black Heart and 7. The Running Grave, because it did not account for the connections of those two books to the first five. 

In thinking about a new model, I considered not only the need to accommodate ten books, but the fact that Books 5 and 6 were linking to all three of the last Harry Potter texts, and that Book Five was structured on the same alchemical year-long cycle as Deathly Hallows, and could have actually provided a nice ending to Robin's story. That, coupled with the fact that 7. The Running Grave made the expected latch with 1. Cuckoo's Calling and story-turn link to 4. Lethal White, and I was convinced the seven-part ring had to be part of this. And we know any ring demands symmetry

My solution?  Instead of two pentagrams, what about two seven-part rings? But, to give us ten books instead of fourteen, the rings have to be linked not just by the beginning and ending latches, but by the two central books. This gives us overlapping rings.  The easiest way to represnt this visually is with two circles.  Thie first ring starts with Book 1 on the bottom, moves clockwise past 2 and 3  to 4 at the top, then down past 5 and 6 and latches with seven. The second ring starts with 4 at the top, moves counterclockwise down to 7 at the bottom to latch with 10 at the top. 

Thus, the series begins with the first book of a 7-part ring, and ends with the 7th book of a 7 part ring.  They're just different rings. 
Because this model looks like the pattern on a Double Wedding Band quilt, and because lots of us are predicting a wedding for Strike and Robin in the series finale, I am going to tentatively call this the Double Wedding Band model.
One cool aspect of this:  Book 5 is where Robin's cousin Katie tells her Robin was "moving in the opposite direction from the rest of us."  Under this model, Book 5 is  the first stop after the counterclockwise ring begins. 
 
If you draw in the expected "turtleback lines, you get something that looks like this. (solid lines = observed, dashed = predicted). 
And, if you add in the observed (1-4-7) and predicted (4-7-10) latch-story turn links, then you'd get a diagram like this.  I am also assuming there will be a final closing latch between the first (1) and last (10) books of the series,  (red = observed, blue = predicted.)
Put together the turtle back lines and the story-turn/latch lines and it looks like this: 

However, , this isn't all the connections we see.  As has been observed before, the connections seem to "leapfrog" between books, with even books connecting to even and odd to odd.  Some of those even-even and odd-odd lines are accounted for in the horizontal turtleback lines, but I have added the diagonal lines here, again with observed in red, and predicted in blue,  The story-turn/latch lines have been removed  for clarity. 
As you can see, 6-point "stars of David" appear inside the circles. Add the vertical story-turn/latch lines back and you have this.
What I like about this is, that if you move the circle from outside the triangles to inside the hexagon, you get what looks like two Deathly Hallows symbols, overlaid on each other. 
This probably means absolutely nothing, but it is cool, aesthetically. One of the reasons I liked my original Pentagram model is because it matched the pentagrams Bill Talbot drew all over his notebook. But I digress. 

However, this is still not all the connections you see. As I showed a little over a year ago, 5. Troubled Blood, had the expected links to 3. Career of Evil, but also had lots of connections to 2. The Silkworm. You can see a long list here, but for starters: 
  • a mystery with a dark, disturbing book at its core.
  • connections to real-life severe weather.
  • the first indicator that Robin likes personalized gifts way more than flowers.
At the time, I even speculated that TB had originally been planned as the sixth book of the series. I also speculated that 6. The Ink Black Heart would have both the predicted turtle-back connections to 2. The Silkworm, but also complementary connections to 3. Career of Evil. That prediction also came true. The most obvious connection?
  • An annoying character who uses a wheelchair but can walk. 
  • That character runs an online support group for patients who share the condition and complain loudly about unhelpful or unsympathetic health care providers.
  • Robin persuades a frightened teenage user of the site to speak with her. 
So, I am adding red 2-5 and 3-6 diagonals to the first ring, and predicting the same ones for the second ring. 
I also added another vertical line between 5 and 6, given the connections seen between those two.  Those books have a special position as the two points of overlap on the rings. 
Once we see the model, the oddness around Books Five and Six starts to make a bit more sense. Troubled Blood is #5 on the first ring, but #2 on the second. #5 is a position we would predict for a dark, nigredo-type story, where the protagonist is broken down. But, #2 in the Strike series, The Silkworm, was a wet, snowny reverse-albedo, at least for Robin. Hence, Strike's nigredo came in a wet form, not a hot and dry one as might be expected, and was mixed in with a lot of traditionally albedo images like the name Margot (pearl), queen Cynthia Phipps, the moons on the tarot cards, etc. 6. The Ink Black Heart was much more "pure" nigredo: Strike's physical breakdown, the name Darcy (dark) and the fiery destruction of the office. However, there was a dry albedo element I predicted: the bleached white coral decor in at the Marine Hotel. It is interesting that in TRG, when Robin recalled that trip, that coral image is what she remembered: "The white coral on the mantelpieces, set against slate-coloured walls, and the sight of Strike laughing opposite her." 

This model also predicts that TRG, like LW will provide a major turn in the story. For Robin, her major turn came when she left Matthew; for Strike, that turn came with Charlotte's death. 

So, putting the entire model together gives a pretty complex drawing, but then again, JKR/RG is writing a pretty complex series.
What should be fun, as we re-read TRG, is to see what my be expected in Books 8 and beyond, based on this model. But I'm going to give myself some time to process, and re-process, the latest book first. 

6 comments:

  1. What do you mean, TB is #2 on the second ring?

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    1. Ring#2 starts with Book 4 and goes to Book 10, so Book 5 is second in that series.

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  2. This is super interesting. I wonder if there is another aspect to this that would further illuminate how the overall structure will end up.

    Here's the (rough) thought: The double ring makes for a retelling of Genesis 2-3. The series begins with Strike alone (Charlotte running out the door), and Robin coming as a mere secretary. The first ring is about Strike making Robin into a partner for himself. It is not good for him to be alone; he needs a helper fitting for him. But she doesn't come fully formed; instead, she is formed from his expertise. (Here, Charlotte fits the role of Lilith to Robin's Eve.) Much of the actual personal development in the first 6 books is in Robin's character, in that she becomes a detective, escapes Matthew, gains an independent psychological strength against unwanted sexual advances, etc. Strike is, interestingly, mostly unchanged through these books. Softened, perhaps, but still in principle willing to (e.g.) bed Bijou.

    Now we're onto the second cycle, where Robin is a full partner (which happens in Books 5-6) and free to make decisions for herself *and* for the "world" of the agency. By Book 7, she no longer needs to refer her decisions to Strike, and he doesn't second guess her judgment, even to the point of letting her work independently at the Farm. She is really his counterpart. The effect is that the agency is so fruitful that it is growing both in employees and in cases.

    The second cycle (Books 7-10) would then be likely to cover Genesis 3, and focus on Strike's development. If I'm right, then we should expect Robin to be deceived (an important detail) into making a decision that seriously jeopardizes the agency, but for Strike to go along with her even at the cost of the business. Then, the difficulty will be resolved, at least partially, by triumph over whatever deceiver/destroyer happens to threaten the business (and possibly Strike and Robin's relationship), and also the promise of something better.

    If this prognosticated structure is right, then my guess is that the Strike/Robin wedding happens at the *beginning* of Book 10, and that the book ends with Robin pregnant. This would be a way of resolving Strike's other great problem -- his family relationships with Rokeby, et al. Strike frequently comments that he doesn't want kids. Robin, in contrast, seems to like and appreciate them. (She is very motherly in Book 7.) In a sense, Strike needs to get past his own father's bad behavior, and what better way than to start a new family as a final break from his own past? Thus, the overall theme is not merely marriage, but *family*.

    This suggestion would also fit with another structural feature. Books 1, 4, 7 all include significant matters related to family and particularly related to the relationship between parents and their children. It would, therefore, make sense if Book 10 was also about this theme. Strike's outstanding unresolved personal relationships are all about his family: Lucy/Ted, Leda, and Rokeby. But all three of those are actually about his relationship to his parents, though in different respects.

    Rowling is clear that HP is overtly Christian in a number of respects. Here I'm wondering if Strike is too, though with an emphasis on a different part of the story.

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    1. Amazing thoughts, A; thank you so much for this contribution! I love the Genesis parallels. There could certainly be Adamic echoes, with the detectives giving names to all of their clients and targets, and Strike, at the end of Book 6, honoring Robin by putting her name on the agency door.
      Some time ago (probably a comment on a hogwartsprofessor.com post, though I can't remember for sure) I wrote about a Genesis allusion in Harry Potter, specifically to the Protoevangelium of Genesis 3:15: "And I will but enmity between you and the woman, and between your offspring and hers; he will crush your head, and you will strike his heel." Near the opening, the zoo python "snaps playfullly" at the heels of Harry's pseudo-brother, Dudley. Near the end, Harry's true brother-of-the-prophecy decapitates Nagini, making it possible for Harry to defeat his #1 adversary. Which he does, after Voldemort fails to heed Harry's call for repentance.
      The Running Grave certainly has more Christian imagery and ritual than any Strike book to date and Strike shows this time that at least some of it is meaningful to him, even if he is not a believer. And I note that, by the end, in his conversation with Amelia, Strike is willing to "admit the possibility" of life after death, something he staunchly refused to do in the UHC superservice.
      There is also a re-telling of the parable of the Prodigal Son, starring the Edensors, complete with the embittered older brother.
      I would love to hear more of your thoughts, particularly my recent post on baptismal imagery. If you are interested in expanding on the Genesis idea in a guest post, please send me an email.

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    2. This is an extremely cool thesis! I also love your interpretation, Louise, of the snakes at the beginning and end of HP. Beatrice Groves has written about IBH references Paradise Lost, and I do think that Milton’s poem, which adds complexity to the Genesis story, might be JKR’s inspiration. I would love to hear more about what aspects of the genesis story you see, A Garland, or other readers. The Genesis echoes I see include: 1) An exploration of the origin of evil. John Granger uses the term “foundational crime,” (I think) to describe the “original sin” that precipitates the murder being investigated, for example, Liz Tassle writes the parody that spurs Fancourt’s wife to suicide. I am a bit obsessed with identifying overarching questions that Rowling is exploring throughout the series. I’ve had “What is the nature of evil?” written in my notebook, but this comment has me changing that to “What are the origins of sin?” 2) Snake imagery in CC. Louise, long ago you suggested to me that the reptilian descriptors of Robin and the green dress, especially in Vashte, represent Robin “shedding her skin” as she grows and changes. I’ve written elsewhere that Robin’s temptation — her seductive snake — is her own investigative talent, which she uses for the first time when she discovers the salesgirl’s story in Vashte. She is her own Lucifer, and as she tries on all those clothes -- some painfully constricting, relying on the midwife-like help of other women — she is trying on various identities. The snakey green dress is the one that fits perfectly, the one that Strike recognizes should belong to her, and it costs a lot. The possibility of growing into that identity of a skilled professional truth seeker is what temps Robin to learn more about herself, a decision that will ultimately cost the loss of paradise — the blissful engaged state she inhabits in Chapter One of CC.
      I am so curious to consider additional elements of Genesis. I love your point, Louise, that they name their clients!

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