Spoiler warnings for The Running Grave

As of Nov. 1 2023, I have removed the blue text spoiler warning from The Running Grave. Readers should be forewarned that any Strike post could contain spoilers for the full series.

Thursday, June 29, 2023

 

Of "Maternal Instincts," Romantic Heroes, & Shakespearean Villainy

        I would first like to thank Louise for inviting me to share my thoughts about the final chapters (52-62) of Career of Evil, which I believe are some of the most consequential to the Strike & Ellacott series. Robin is injured and fired from her dream career as a private investigator. Strike catches a modern-day Jack the Ripper and saves the agency from utter ruin. Robin and Matthew begin their ill-fated marriage. In this post I’d like to call attention to three particular moments that are small in themselves but also, I think, important to the broader themes of the series: the first is Strike’s epiphany in chapter 52; next, the moment that Shanker comes crashing through the door of Alyssa Vincent’s flat in chapter 54; and finally, Matthew “borrowing” Robin’s mobile in chapter 57.  

        As I’ve said on a number of occasions, I love when “Strike goes Sherlock” – when the clues in the case snap into place in his mind and he lays his trap for the killer. For me it’s reminiscent of that passage from Shakespeare’s Henry V which Sir Arthur Conan Doyle was fond of quoting as Sherlock & Watson pursued their prey: “The game's afoot: / Follow your spirit, and upon this charge / Cry ‘God for Harry, England, and Saint George!’” My pace quickens whenever I come to this point in a Strike & Ellacott novel. But in Career of Evil there’s added reasons for us to sit-up and take notice as Strike hears the woman call for her little boy outside of the hospital and watches as she drops a bunch of daffodils on the pavement. The flowers may trigger his memory of sea holly, but it’s also the little boy’s name, Ricky, which recalls Laing’s friend Ritchie or Dickie who had provided him with crucial alibis. Beyond this, however, is the much more important point that it is through the act of aiding a distressed mother that leads to his sudden insight. Strike, who’s mother loved him whatever her lifestyle and shortcomings, will now outwit the Shacklewell Ripper, whose mother did not love him, thanks to his unthinking but instinctive act of thoughtfulness toward a mother who is never named. It’s not only a point worth celebrating but worth remembering, as it wonderfully parallels a later moment in The Ink Black Heart when Strike will finally gain a true insight into Charlotte’s character and her indifference to her children’s and step-children’s fate with Jago. There are of course parallels here in the third novel as well, particularly with Shanker aiding Robin as they try to save Alyssa’s daughters. 

        Which brings me to chapter 54. As I read it, Shanker’s moment of heroism is taken straight out of a fairy tale or heroic western, emulating as it does the triumphant moment when the knight or cowboy comes charging in to defeat the evil ogre and rescue the damsel. The passage deserves to be quoted at length: 

And then came a splintering crash of wood that was the front door caving in. Brockbank released Robin and whirled around to see Shanker hurtling into the room, knife to the fore. 

Don’t stab him!” gasped Robin, clutching her forearm. 

The six people crammed into the small bare box of a room froze. Then a thin voice piped up, desperate, trembling, but liberated at last by the presence of a scarred, gold-toothed man whose tattooed knuckles were tight around a knife. 

“He done it to me! He done it to me, Mum, he did! He done it to me!” 

 Shanker, for all of his forbidding and deadly appearance, has liberated Angel. In a novel that has the reader cringing at every mention of a knife being brandished, this is a welcome and yet bold reversal by the author as Shanker threatens to emasculate Brockbank. For the description of Shanker at this moment continues as we then read – and it’s so exquisitely, simultaneously heroic and comical that it must not to be missed: 

“You’re all right, babes,” Shanker said to Angel, his free hand shielding her, his gold tooth glinting in the sun falling slowly behind the houses opposite. “’E ain’t gonna do that no more. You fuckin’ nonce,” he breathed into Brockbank’s face. “I’d like to skin ya.”

Ludicrously yet truly, Shanker here is a romantic hero “glinting in the sun falling slowly behind the houses opposite.” Only it’s not his knightly armor atop his vaulting steed that is gleaming in the light of the fading sun, but his gold tooth beneath “a deep scar [running] from the middle of his upper lip towards his cheekbone.” Is this a passage modeled on Sir Walter Scott or a parody of the English Romance tradition? 

        If Shanker crashing to the rescue is drawn from Romance, then Matthew’s behavior resembles that of a Dickensian or Shakespearean villain. It comprises only about a page at the end of chapter 57, but it marks the first and (as far as I can recall) only time that we encounter Matthew’s mental processes for an extended period of time without the interruption or perspective of another character, particularly Robin but also Strike. It’s somewhat comparable to a dramatic soliloquy, a moment in a play when the audience gains privileged access to the thoughts of a character on stage as they lay bare the motives for their actions. The passage is too long to quote here but I recommend that you reread it. It’s particularly illuminating with regard to Matthew’s insecurities about Strike: he calls him “the big ugly bastard” and yet finds himself “paralyzed with indecision” when Strike rings Robin’s phone again because he, Matthew, “dared not answer on Robin’s behalf or tell Strike to fuck off.” He instead (and here I simply cannot resist another comparison with the bold, active, and direct, heroism of Shanker who faced an adversary far larger than himself) chooses duplicity and subterfuge. Matthew then assuages his misgivings by “turn[ing] to his handsome reflection in the mirror.” And we know that it’s only a matter of time before he finally falls from whatever meager amount of grace he had remaining in Robin’s eyes. 

To end as I began, I think that the final ten chapters of Career of Evil are consequential for the larger series – and for yet another reason. They do not provide the anticipated, tidy, and symmetrical ending that we might expect for the novel. Yes, they deliver what is minimally necessary to wrap up the case of the Shacklewell Ripper. But they are full of residual romantic tension and of uncertainty even as they advance the relationships of the principal characters and lay the groundwork for the beginning of the following story – for which Robert Galbraith’s readers would have to wait nearly three agonizing years. 

Monday, June 26, 2023

Crabs, Stabs, and Wedding Plans Chapters 41-51 of Career of Evil.

 Hey Guys,  It is time for the second to last section of Career of Evil. Kurt will be with us to wrap up the novel. But as I don’t know how to not write a ton, let’s get right to it. 


41

Strike finds out from Wardle that a prostitute was attacked by the killer and just woke up from a coma. And the next morning after a conveniently natural week of not seeing Robin, Strike is leaving his flat to give a report on Mad Dad. Which allows us for this brilliant bit of what I will call a reverse pulp fiction trope. Instead of the detective seeing the silhouette of the beautiful client in the glass, Strike is on his way out when, “...the sight of Robin’s blurred form through the frosted glass changed his mind” (334). Strike enters the office even though he only has maybe ten minutes to spare and the two detectives smile at each other, Strike dressed smartly in his best suit. They update each other, Robin bringing up a point about looking into other murders that Strike didn’t think of. Strike then offers Robin a compliment on her ability to find the strip club Brockbank works at; but Robin is too bothered by the thought that he is having her follow Laing, while knowing he isn’t there to notice. Strike leaves his meeting with the lawyer and decides to stake out Whittaker, sticking his tie in his pocket. It is not long before he tails Stephanie literally to Whittakers back van door. What follows is a brilliantly described juxtaposition of the clean, smartly dressed ex boxer and his satanic cracked up former step father. Whittaker talks some smack, and calculatingly attacks Stephanie. Strike punches him which makes it 2 out of 3 of his suspects that  he has at one point punched. Unfortunately, Stephanie doesn’t want to be rescued and so leaves with Whittaker. 


42 

Strike admits his folly to Wardle and Robin individually. He realizes that no matter what he says to Wardle there won’t be any follow through. He considers the fact that at “18 he was ready to fight and careless of the consequences” (343) It tickles me pink to think at 18 he didn’t punch his stepfather even though he was careless and at 37 he punches him with all the care of a man defending a woman. At the end of it all though, he only knows two things. 1. Stephanie showed interest at some point in Strike and 2. Whittaker finally has male lackeys? Friends? Bandmates I guess? Strike is able to admit to what happened to Robin when she calls later that night and swoon, “Strike found relief and solace”. And if you are not a huge fan of the will they won’t they angle you may want to skip this part because if Strike thinks it I can talk about it. He asks Robin “Why women do that (go back)?” Not to say that Matthew is abusive (although there are quite a few moments with him that, I think, toe the line of emotional abuse). Robin gives him an answer and Strike thinks “I was the bloody alternative, standing right there, in front of her”(345). Is he thinking of Stephanie… yes… but it also it makes me think of two iconic scenes with iconic actors. Ellen Pompeo as Meredith saying “Love me. Choose Me.” and both Hugh Grant and Julia Roberts whole: “I’m just a boy/girl standing in front of a girl/boy asking her/him to love them.” But I mean yea he is talking about Stephanie… not Robin. Nope. Not Robin. And the call ends with neither of them satisfied. The business is going so poorly that even their advertisement online is comes up after articles of the severed leg which led me to wonder on first read if it could be a jealous cop… maybe Roy Carver. After all Jo does write quite a few tongue-in-cheek gallow humor type names. Poor Gary Topley being the one that immediately pops into my head. Robin, later, calls Strike with the news  that Jason is available to meet them tomorrow with a woman called Tempest, and asks for the morning off to do wedding stuff before enthusiastically agreeing to meet Strike ahead of time.

43

This chapter is aptly started with the epigraph, “Freud, have mercy on my soul.”  While I have taken basic psych classes I can not tell you if Freud studied people with BIID but I have to think it would be something Freud would be interested in based entirely on a vague memory of his thoughts on human development and oral fixation, so I have to think being fixated on being disabled would be right up his alley. To move off the topic of therapists. Strike and Robin meet and Strike correctly identifies Jimmy Choo as shoes. Robin asks if Strike is coming to the wedding and we get yet another gem. “Had he ever agreed that he was attending her wedding, Strike wondered” (348). He becomes adorably grumpy because of course there is nothing he would want to do less; but his “Fondness for her caused his better nature to reassert himself” (349). In one of those examples that I spoke of for the last chapter, Strike comments on the shoes being a bit rock n’ roll for a wedding with the gentleness of adding he doesn’t know but expected it different and Robin thinks Matthew doesn’t like her being too tall. They flirt a little bit more. Strike saying he won’t hit Jason and Robin saying he would break him in half if he did… and then they go into the gallery. The rest of the chapter I honestly tend to skip over. It just hurts, because there are good people and bad people and in between people and BIID is a very real condition that is not understood so I feel for Jason but Tempest is so assuming and demanding in how she acts that it just leaves me feeling sad all around. So in short Tempest talks over Jason, assumes Strike is wealthy and then tries to get Jason to order freely as the detectives are paying for it and talks about how no one understands her without even attempting to understand anyone else. They do remember meeting with Kelsey near Tottenham Court Road and seeing a man on a black or red motorcycle which is the same color bike the man that delivered the severed leg drove. At one point Robin’s look of disgust at Tempest keeps Strike from getting angry but in the end he does yell at them before walking away and Robin, God love her, makes Strike laugh by saying, “At least you didn’t punch her. In her wheelchair. In front of all the art lovers” (359). 

44 

This chapter is very short. It is literally just the killer angry that the prostitute survived. Then laughing at the poor attempt at a photofit and grumbling about how he needs to act sweet to IT and that he adds emollient (stuff used to soften skin like glycerin or vaseline)  to her drinks to make her off balanced and clingy. So he poisons her to make her be how he doesn’t want her to be and then blames her for acting that way. What a psycho.  He is able to  finally convince her to let him go away for a week.  

45

Strike and Wardle talk on the phone. The highlights include Baxter aka Devotee fits the profile, they have found Laing at the place Strike has been surveilling and oh by the way Coco thinks you’re hot so are you seeing anyone before Wardle then says an engagement wouldn’t have stopped him from trying to pick up Robin. Awkward. Strike decides to change what Robin has been doing, at this point even the farting sofa is taking pity on Strike and doesn’t make noise. Which leads to a brilliant bit of not flirting… “Ok, what if he is there? ‘I’ll cross that bridge- I’m not going to hit him.’ said Strike correctly reading her thoughts. ‘Ok’ said Robin but then you hit Whittaker, though.’ ‘That was different. Whittaker’s special. He’s family.” Strike then heads to the strip club to look for Brockbank and meets Orla, the Irish stripper and maybe Harry Potter fan, if her stars tattoo are the same as from the Harry Potter series. However she is able to confirm he did work there and was fired after having a fit. She also lets him know that Brockbank is living with his girlfriend Alyssa and her two little girls in Bow. 

46

Another killer chapter. The killer is a disgusting human being. No surprise there. But he does give us what he believes Robin’s height is 5’7 or 5’8. We also learn that he calls the Blue Oyster Cult, The Cult and that he hated them at first but now loves them and uses their music as part of his rituals before and after killing. 

47

Robin is getting married in a month but realizes just how disconnected she is to all of the wedding stuff. Matthew is driving the land rover (sacrilege!) and dropping her off because he is auditing in Bromley. Is anyone else wondering if he really is doing that or is he meeting with Sara? Robin tells Matthew that Sara can still come to the wedding but then insists that she is nowhere near Strike. Robin is wearing a sundress and a jean jacket on this particular day. (oh shoot… have I been unconsciously dressing like Robin for the past month at work?? Cue facepalm and an embarrassed shake of the head.) Robin notes a small child that could look like Zahara that stares at her until she trips and falls. But it makes Robin realize something that “Strike wouldn’t have thought of that - of course he wouldn’t, he was a man” (379)! Once again highlighting the difference between men and women and the seemingly consistent ability for men, in general, to not think like a woman. Although now that I think about it, if my husband ever wanted to hide anything he could just stick it in his golf clubs and I would be oblivious. So I guess Jo is on to something there.  Robin is so excited about this idea that she misses her brief chance to talk to Stephanie. She then calls Strike to  update him and tells him she is going back to Wollaston Close to stake out Laing. Strike tells her to call even if there isn’t any news, good God that man is adorable. Robin gets there, only to slide in a mystery pile of something, (Thank God it was curry) and fall. Only to come face to face with Donald Laing himself. Leading me to wonder did he laugh because she fell or because he finally found her?

48

Another killer chapter. This time he finds a drunk girl and kills her; taking her ears with plastic ice cream cone earrings with him. But it does lead me to a question. He kisses her to stop her from possibly being rescued by a person opening a door. Wouldn’t he have left some form of DNA on her from kissing her like maybe skin cells or something? Are there any forensic people who would be able to answer that question?

49 

The news runs reports of Heather Smart the woman killed in the last chapter and the killer gets his name: The Shakellwell Ripper. Strike moves in with Nick and Ilsa and sends Robin to Masham. Wardle updates Strike on what really happened. And how they have identified at least two more victims. One from 2009 in Leeds and the previous year in Milton Keynes. He also tells Strike that they looked into all three men and none of them really fit. Brockbank is now an active member in a church and that he lives with two little girls and that he was in church when Kelsey died. Strike asks Wardle if he is Catholic, which makes me think Strike is not. Then again I really never gave much thought to what his religion would be and if pressed would have said he isn’t a member of any religion. Laing can’t have done it as he is too sickly according to police. As for Whittaker he claims to have alibis for all of the nights, but the police are looking into those more.  Strike contemplates how all three men are not ones that would seem to entice Kelsey into any kind of relationship. That logic says it can’t be any of them. However, Strike doesn’t agree with that logic which seems to mean he is going with his gut instinct instead of facts here. Something that Strike obhores doing and yet seemingly does all the time. 

50

Robin is home in Masham for a final dress fitting and realizes her mom has basically taken over all the duties of planning the wedding. Matthew is annoyed at her for not taking the time off for his surprise honeymoon and Martin won’t stop talking about Heather’s murder. Robin is also having nightmares about being attacked. This seems to imply that there may be some PTSD there. But then comes something a bit interesting. Robin is with her mother talking to their vicar about the wedding and her eye is drawn to a large stone crab that had fascinated her as a child. Linda had looked up the answer of why there was a crab in the church and told her 9 year old that it was the emblem of the Scrope family. Robin was disappointed with this answer. So I did some digging because of course I did. Crabs are very symbolic in a bunch of cultures. If we look at the classics Ancient Greek and Roman mythology, the crab is a symbol of a fierce devoted soldier but ultimately vulnerable (nautilus magazine). Remind you of anyone… cough Strike.. Cough… sorry I had a tickle in my throat. In Celtic tradition it is connected with two goddesses the first is  Arianrod the goddess of love and beauty which makes the crab a symbol of rebirth, transformations, and new beginnings… cough… Robin… cough. Man sorry this tickle is bad where was I? Ahh yes, and the goddess Maeve who was a moon goddess and was in charge of war and fertility, along with healing and regeneration. All of this is care of spiritandsymbolism.com.  If these are true then Robin looking at the crab in a church is not just a sign of her wanting to know but also a sign of her rebirth, or transformation into a detective, her battle against evil as a detective, a sign of Strike as the vulnerable soldier which calls back to his crap knight errant comment, and finally a sign of the healing that still needs to take place with both of them. WAY TO GO JO! Brilliant as usual. Robin eventually goes to her last dress fitting. But is interrupted by Strike calling, which Robin knows because he has his own ringtone. Who else is dying to know what it is? As a person closer to Robin’s age I know I have assigned things like Stacy’s Mom and the Jaws theme to my mother (long story) so did she give him a song? Private eyes by Hall and Oates perhaps? Also if Strike has his own ringtone then Matthew has to know that right? Does Matthew have his own? I feel like that answer might be no and I am here for that. Tragically, Strike tells Robin that Wardles brother was killed in a car accident. Which is sad enough in its own right but also Carver is now the lead detective on the case and has basically just interrogated Strike for three hours. But then Robin tells Strike that she has Brockbanks address and Strike gives her a second compliment in these ten chapters; “ Jesus Christ, Robin, that’s fucking brilliant” (405) And Robin becomes the stunning bride she was meant to be as she hangs up the phone with her future hus… Strike. Right. Strike… 

51

Robin is back at work. The news is running articles about all 5 women who have been killed by the Shakellwell Ripper and Strike is telling Robin that they are not investigating but they are because Carver is looking for any reason to mess up Strike's business. Robin points out her wedding is coming up in three weeks and is annoyed that he didn’t realize it was so close. Oh Robin, because the time that he thought he had is running out. Robin goes to stake out Whittaker’s place and finally runs into Stephanie literally. Stephanie is more upset about Whittaker cheating than getting beaten by him. But Robin is able to get an alibi for Whittaker right before he shows up and starts asking questions. Robin calls Strike to tell him what happened, noting that she realizes it is after dark but that she is on her way home. As she explains what Stephanie said she realizes she lost track of where she was walking and thinks she sees a shadow moving. So she does what every woman in her situation does. Stays on the line and reaches into her pocket for her rape alarm. She tells Strike that she is just jumpy but she sees where she went wrong and that she is going to turn around… and then the hands reach out from the dark and grab her, sending her phone to the pavement. And on that note… I will see you all on the third with the first 7 chapters of Lethal White. Kurt, I hand the blog over to your brilliance.


Thursday, June 22, 2023

There was Still Time… A look at chapters 33-40 of Career of Evil by Robert Galbraith

 Hi All, and welcome to my first ever blog post, unless any of you remember live journal from back in the day that is. Today I will be taking over the hosting duties and sharing my thoughts on the next set of chapters in Career of Evil. So without further ado, here are the next chapters in the lives of Robin and Strike. 

Chapter 33


This is the first time we see an epigraph from Blue Oyster Cult’s smash hit that made us love the cowbell  “Don’t Fear the Reaper.” The quote brings to mind many images and cliches, after all, when one door closes another window opens. Maybe the winds of change are blowing. Either way, Robin is apologetic, having just missed an opportunity with Mad Dad to listen to Brockbank creepily call her a little girl. It is interesting that Robin notes that Strike came to work with a backpack, humming as he entered, and she assumes that he has returned after a night with Elin. At least this time she didn’t debate calling the cops to report him missing as she did when he spent the night with Ciara Porter. There then proceeds to be an argument where the concept of males vs females perceptions in life clearly get in the way of their ability to fully communicate. Robin is angry that Zahara is in danger because Robin knows it in a way Strike can not. Strike, ever the gentleman, gives her a moment and some toilet roll before happily telling her about a breakthrough in the case, which leads her to blushing at her thoughts of Strike in a committed relationship. Any further discussion is interrupted by Shanker who unwittingly gets Strike to be a bit clearer in pointing out that they now have the locations of all three suspects. In a clever bit of writing Jo turns our attention to Robin and everything becomes drastically slowed down and, I don’t know about you but I started to feel a bit fuzzy. Robin sees a card addressed to her with something attached and she knows instantly that this is not going to be pleasant. While Jack Vettriano creates beautiful paintings, this particular work printed on a card becomes haunted not only by Kelsey’s severed toe but the words “She’s as beautiful as a foot”(273). The chapter ends with Strike sending Robin and Shanker out to a cash point and his telling Shanker to walk her right back to the office. I can’t help but laugh at Shanker’s macabre need to look. That said, does anyone else desperately want the pages where Shanker gives Robin his phone number? What did he say was the reasoning? Was it in case she needed help? Maybe to let him know if Strike needed help in a brotherly kind of way? These are the questions that keep me up at night. 

Chapter 34 


Directly following the toe’s arrival, Strike spends the night in his flat with his aching stump, thinking over the events of the day. He thinks of the walk to the tube and of insisting that Robin text him when she gets home. Then he focuses on the card. He reads the tone of the message, “She’s as beautiful as a foot” as a wink from our killer. But when the title of the painting “In Thoughts of You.” is added to the message, it multiplies to Strikes anxiety. Strike seems to think that the killer knows he is attracted to Robin, even if he won’t admit it to himself. 

(You know it’s a good book when you are writing a blog and typing “secretary” is painful because well, come on now, she is clearly a partner, but I digress.) Wardle calls with the, I guess, “good” news that it is Kelsey’s toe from her other leg, adding that gallows humor we have come to expect. This time, however, Strike can’t joke back. His concern for Robin makes his natural defense mechanism unappealing. The next morning Strike heads to Hazel’s house on foot as money is once again tight. The walk reminds him again of the challenges he faced in his childhood. He arrives at the door of Kelsey’s sister only to see a red mass behind the door. It is Hazel’s boyfriend Ray and (Spoilers) a blink and you miss it clue. “A large red mass bloomed behind the glass and the door opened onto the hall, which was mostly concealed by a burly, barefoot man in a scarlet toweling robe. He was bald but his bushy gray beard, coupled with the scarlet robe, would have suggested Santa had he looked jolly”(277).  It is our first look at Ray. Funny, Janice had a red living room and had Cinderella’s carriage on display. Another instance of a killer surrounded by red and a bit of a fairy tale allusion… like the fairy tale they tell the world of being kind helpers. I know when Running Grave comes out I will be looking for red everywhere.

Also interesting to note are Ray’s swollen eyes. We read, from his point of view, the purchasing of Vicks Vapor Rub. Can Vicks really make your eyes swell that badly? I for one hope Jo looked it up rather than act that part out. 

Hazel says goodbye to a visiting  neighbor and Jo gives us another neon sign that makes the Vegas Strip look like a flickering bulb in an empty warehouse. “Strike, who had heard the testimony of Brittany Brockbank and Rhona Laing and many others like them, knew that most women’s rapists and killers were not strangers in masks who reached out of the dark space under the stairs. They were the father, the husband, the mother’s or the sister’s boyfriend…”(281). She even ended the thought with sister’s boyfriend. Oh Jo, you brilliant creature you, came right out and told us who the killer was and masked it with Strike thinking about Robin’s attack, even if he doesn’t name her. It is at this point that I must say on each re-read I feel so stupid to have missed this the first time. What follows is an interview with diplomacy and a chance for Hazel to vent her confusion and a bit more misdirection with the fact that Kelsey knew someone with a motorbike. Blended in seamlessly is Hazel showing the photo that proved Ray’s innocence and Donald’s downfall; Ritchie, motorcycle owner, and Ray sitting next to sea holly. Strike asks to use the bathroom and notes the citation above the cistern for Ray’s heroic deeds. Pardon the pun and the language but what a shitty thing to do, steal a man’s citation and then let it hang over a toilet. Who does that? Apparently, a serial killer. The chapter ends with Strike making a few observations about the medical needs of the people in the house before finding a coat ticket and a blister pack of pills. 


Chapter 35 Dominance and Submission


An interesting title starts this chapter, a question of dominance and submission. It starts with the killer thinking about how terrible it is that he was forced to submit to living with three women over the course of his life. This leads to him imagining in great detail killing “It” (Hazel). He can’t handle the pressure of being charming to Hazel, so he leaves early hoping to follow “The Secretary” only to quickly identify the cop who was staking out the offices. Not that that mattered, after all, he stood next to Strike, and Strike didn’t recognize him.  He looks for Robin at all the places she had been following Platinum, but to no avail. He worried that she had resigned from her job after being so frightened of his “gift.” If only Robin knew this, maybe she would have stayed… nah not our Robin, nothing would keep her from her dream of detective work. He returned home unable to stalk Robin and desperate to kill again. For someone who claims to dominate life with his omnipotence he sure is submitting to the world around him.

  In the creepiest of moments, he wakes early and heads to Robin’s house, only to dare to lean up against Landy?!? I get he is a serial killer and all but come on the Land Rover is a sacred item in our fandom so he should keep his ugly, yella, no good, filthy hands off of our Landy!!!The chapter ends with him disgusted at Robin spending time with her mother and he “Fucking hated this feeling that his omnipotence was slipping away” (292). After sitting in the mind of a killer we should all take a moment and chuckle at the fact that Matthew’s nickname from him is Pretty Boy.






Chapter 36


Strike wakes from his slumber and we are told that Robin was right. Strike did in fact have to choose between his two remaining clients. His first active thought of the day is wondering how the talk of the royal wedding may be affecting Robin. A little later it is mentioned how  “The memory of her white face had haunted him all week” (294). Even still the thing he looks forward to is her return to the office later that day. He thinks of all the things he wants to update her on and how he “Missed her presence in the office” (295). Strike was able to have a bit of success on the Whittaker front, he saw Stephanie and was able to at least admit he was not as detached as he thought when it comes to his mother’s ex.  His thoughts of the lack of success with Laing is interrupted by a heartbroken (?) Two Times who announces his girlfriend has broken up with him. Strike is saved by the bell or rather the phone. An exhausted Strike informs his client that he has to take this call. This leads to Wardle informing us that the killer isn’t Digger but they are looking into Devotee. It is very shortly after this that Robin appears. 

“Robin looked taller to Strike than the Robin he kept in his memory: taller, better looking and more embarrassed” (299). Poor exhausted Strike gets to meet his future mother-in-law, I mean, Linda in this exhausted state.  Robin takes comfort in the fact that if her mother is trying to detect any feelings between the two at least Strike looks like death warmed over. Of course, this seems to have not stopped Linda as she tells Robin “I like him, and I have to say, he might not be pretty, but he’s got something about him.”  Robin then, like Hamlet’s mother said of the woman from “The Mousetrap”, protests too much with the line “Sara Shadlock feels the same way” (300).  Robin works herself up into a right state by not taking Strike’s temper and comments as the concern he genuinely feels but as an attack on her ability to do the job. This sends Robin into a tailspin of thoughts and images of Strike downgrading her feelings and spreading her private business around to Elin in a manner similar to Matthews.  Linda, of course, sees all and with five minutes left to her visit gives Robin money and a bit of an ultimatum. Use the money for wedding shoes or a new single life. It seems though that Linda thinks Robin is still in love with Matthew after all she has told no one else about the break up.  All this talk about feelings by people other than Robin leads her to decide on following her own lead without telling Strike.

Chapter 37

The next day, Robin decides to watch the wedding while working from home with Matthew. She notes that Matthew isn’t even trying to engage with her. But honestly with all the other stuff going on, who would want to call the time of death on a relationship only to have to start a single life with a serial killer after you? So instead of breaking it off, she goes to every brothel website and dark corner of the web in search of Brockbank. She only looks up occasionally, spotting a glimpse of the Princes and the moment of Kate Middleton getting into the car and notes she had her own long sleeves removed from her wedding gown when they changed dates. She receives a text from someone, though we aren’t told whom, and informs them that she is who she says she is, going so far as to send them a picture to confirm her identity. I can only imagine how Strike would feel about that. The picture startles Matthew in such a way that Robin becomes aware of his crying. The wedding makes her remember her own engagement at the statue of Eros in Piccadilly Circus. (Although thanks to our own detectives in the group we now know it is not Eros but Anteros). Matthew points out that the royal couple split up and asks her if it is really over between him and Robin. Instead of answering him Robin takes a small jaunt down memory lane that interestingly enough, ends with an incomplete thought of Strike and Elin… (Cue the song I won’t say I’m in Love) before accepting the tragic looking Matthew and calling his name. 

Chapter 38 


The killer is back and this time he has taken his anger out, slightly, on “It”, to get out of his house. He is even more desperate to kill because his girlfriend dared to hint at the possibility of commitment with him in light of the royal wedding. He is forced to go out and find some random girl to kill which leads him to think of his real target: Robin and just how important she is to him after all he has spent more time tracking her than any other victim. Which leads me to think when did he actually start tracking her? It would have had to have been before the start of the novel, right?  Like maybe when the news came out about her involvement with Liz Tassel? But times have changed and it just isn’t so easy being a serial killer with whores plying their trade online instead of street corners. It must be his lucky night though because before long he finds someone who was left behind without her previous two companions. He doesn’t say much to her and ironically saves her from being flattened by an oncoming white van (why does this feel like foreshadowing the van in Troubled Blood?). Somehow, through drink, drugs, and the use of a dominant tone, he forces her down an alleyway and stabs her three times before his luck runs out and she screams. Despite this, he continues attacking her. She gets out a second scream and he removes two fingers from her, what he assumes to be, dying body before people arrive on the scene.  Hasn’t he seen any movie ever? If you aren’t going to double tap you have to stay to ensure they are dead. He is able to get away through sneaking in a bit of running and well, luck again, because somehow, he finds his way onto a bus and no one notices the blood he wiped off his hands onto his jacket. I have to assume it is because it is late and dark. That said, I will be looking much closer at any companions on bus rides in the near future. 

Chapter 39 


This chapter starts with Elin telling Strike that us Americans finally killed Bin Laden and Strike being so tired that he almost fell asleep during sex the night before. But hey, at least he finished the job. Go Strike?!? The man is known for having women love him and love being with him. Then Jo gifts us with this little gem, that he almost fell asleep on her. Of course, then she breaks my heart by informing us that Elin drove Strike to the tube that morning. I say we start a petition that only Robin is allowed to drive Strike anywhere. Elin then tells him she is ready to stop hiding the fact that they are dating and Strike tells a white lie to get out of it. After all, “In thirty-seven years, Strike had avoided the status of ‘Mummy’s Boyfriend’”(318). And yet three years later he can’t make that same claim. Is it because Elin had a daughter and Madeline a son? 

At the office, he walks up the stairs wondering why he never asked the landlord to fix the elevator only to see someone is already there. This is not the happy reunion we would like though. Strike is upset that Robin is there, after all, there is a serial killer after her, and then there is the ring glittering, back on her finger. Robin thinks she feels defensive, which is interesting, and Strike responds as only Strike can, stoically asking if it is back on and then getting down to the business at hand: that there is no business. 

But Robin has come prepared, shockingly with Matthews help and with a dose of pure Robin telling him outright he looks like shit before pointing out that there are other ways for her to do investigative work. I have to wonder though if he would have reacted differently to her joining the police if she hadn’t started it out with “I’d do better to take Wardle up on-(321) Strike doesn’t even let her finish the statement before he is demanding what Wardle offered. Anyway that seems to do the trick because after one last plea he agrees to let her come back to work. He thinks for a minute she is going to hug him, but she doesn’t, and he wonders if the ring being back has de-sexed him. Robin tells him of her new lead and the way she is using Strike to get Jason to talk. Strike, like every grumpy trope there is, drinks the tea she made and offers next to nothing except acne medication (more on that later) and a coat ticket. 

Chapter 40


The last chapter of this section of the read-along, is the chapter that makes me swoon. I can not do it the service it deserves because it is three pages of Strike basically saying, “How do I love Robin? Let me count the ways that I don’t love Robin because what are you talking about Love? No, I don't love her… That's crazy talk”. 

The chapter starts with an epigraph from the song “Searching for Celine”. While the epigraph itself seems an odd choice, when looking at the lyrics to the entire song it becomes clear. This is exactly where Strikes’ head is at. He is lying to himself, he is lying to her, he is avoiding loving her, because if he admits how he feels, it will kill him. He wouldn’t be able to be the grumpy single ex-boxer from the army. Instead, he would be happy, satisfied, content, and man what a thrill that would be from the peripatetic, unsatisfying first 37 years. He starts by stating the facts of the prosecution, if you will. She is a decade younger, she was his secretary yadda, yadda, yadda. But “somehow she persuaded him to let her stay” (328). Oh Strike, come on big guy, it’s ok. We all know that when she was about to leave, you felt that same longing from when you were a little boy and you wanted to keep that small garden snake. We know you felt that way before she did any persuading, you softie you. He continues to admit that everyone likes Robin. That the pronoun He is in italics when speaking of his like is saying all kinds of things with tone and mood and I am here for it! He continues to think about how she helped heal him from the wounds Charlotte had inflicted and thought about how they knew things about each other that few others did like the would be baby and the rape. Then he continues on, because, man, walking with his arm around her waist felt so good, and Matthew definitely would not have liked that at all. Strike finally admits that she is a very sexy girl! Yet he says that she has the opposite effect of Charlotte: she gets men to talk while Charlotte makes them dumb struck. As good as it is to hear him think she is very sexy, I have to say my favorite line in this chapter is simply this: “Yet he liked her face” (329). It reminds me of My Fair Lady and Rex Harrison singing, “I’ve grown accustomed to her face”.  Which, like poor Professor Higgins, leads him to think how she is the sort for marriage and then he, just like the professor, gets angry about how different they are. After all she had a bloody pony! 


But then again, she would have been destined to be SIB and she did all these amazing and wonderful detective things and she would have been a member of the police force if not for the rape. 


Then he starts thinking about how terrible Matthew is as a partner for her (Enter Rex singing: "Marry MATTHEW." What an infantile idea. What a heartless, wicked, brainless thing to do. But she'll regret it, she'll regret it. It's doomed before they even take the vow”)and how she possibly could not have felt what he felt in Barrow. But then yet again like Henry Higgins he makes the “logical” conclusion. He just needs to stay with Elin for now. After all, once you break up, it's only a matter of time before you break up again. So to end this rollercoaster of a chapter and tie it with a My Fair Lady bow… Poor Detective Strike! Until next time friends! Thanks for reading.








Chapter 33

This is the first time we see an epigraph from “Don’t Fear the Reaper” which I would argue is the one song by Blue Oyster Cult that everyone knows. The quote brings to mind many images and cliches after all when one door closes a window opens or maybe it is the winds of change that are blowing. Either way Robin is apologetic having just missed an opportunity with Mad Dad in order to listen to Brockbank really creepily call her a little girl. It is interesting to note that Robin makes note of the fact that Strike came to work with a backpack humming and she contemplates that he has returned after a night with Elin. At least this time she didn’t debate calling the cops to report him missing as she did when he spent the night with Ciara Porter. There proceeds to be an argument where the concept of males vs females perceptions in life clearly get in the way of their ability to fully communicate. Robin is angry that Zahara is in danger because Robin knows it in a way Strike can not. Strike, ever the gentleman, gives her a moment and some toilet roll before happily telling her about a break through in the case which leads her to blush at her thoughts of Strike in a committed relationship. Any further talk is interrupted by Shanker who unwittingly gets Strike to be a bit clearer in pointing out that they now have the locations of all three suspects. It is as Strike wraps up talking with Shanker that Jack Vettriano paintings will never be the same. Robin opens a card addressed to her with Kelsey’s severed toe attached to it. The chapter ends with Strike sending Robin and Shanker out to cash point and his telling Shanker to walk her right back to the office. I can’t help but laugh at Shanker’s macabre need to look. That said, does anyone else desperately want the pages where Shanker gives Robin his phone number? What did he say was the reasoning? Was it in case she needed help? To let him know if Strike needed help in a brotherly kind of way? These are the questions that still keep me up at night. 

Chapter 34 

Directly following the toe’s arrival Strike spends the night in his flat with his aching stump thinking over the events of the day. He thinks of the walk to the tube and insisting that she text him when she gets home. Then he focuses on the card. He reads the tone of the message, “She’s as beautiful as a foot” as a wink from our killer and that even the title of the painting “In Thoughts of You” seem to point to the killer also being aware of Robin’s beauty and possibly even Strike’s potential feelings about his secretary. (You know it is a good book when you are writing a blog and typing secretary is painful because well come on now she is clearly a partner, that you have a great book in your hands but I digress.) Wardle calls with the, I guess good, news that it is Kelsey’s toe from her other leg and adds that gallows humor we have come to expect. This time, however, Strike can’t joke back. His concern for Robin makes his natural defense mechanism unappealing. As, Strike takes the tube and wanders the streets considering the difficulties of his childhood, he again thinks how walking is the logical choice as money is again tight. He arrives at the door of Kelsey’s sister only to see a red mass behind the door. It is Hazel’s boyfriend Ray and (Spoilers) a moment upon rereading the book of how did I miss this? After all Ray is wearing a red robe…but with a bit of miss direction… would have looked like Santa had he been jolly. Funny, Janice had a red living room and had Cinderella’s carriage on display. Another instance of a killer surrounded by red and a bit of a fairy tale… like the fairy tale they tell the world of being kind helpers… I know when Running Grave comes out I will be looking for red everywhere. Also interesting to note is Ray’s swollen eyes. We read from his point of view the purchasing of Vicks Vapor Rub. Can vicks really make your eyes swell that badly? I for one hope Jo looked it up rather than act that part out. Hazel finally says goodbye to her neighbor and Jo gives us another neon sign that makes the Vegas Strip look like a billboard for a politician. “Strike, who had heard the testimony of Brittany Brockbank and Rhona Laing and many others like them, knew that most women’s rapists and killers were not strangers in masks who reached out of the dark space under the stairs. They were the father, the husband, the mother’s or the sister’s boyfriend…”(281). She even ended the thought with sister’s boyfriend. Oh Jo you brilliant creature you came right out and told us who the killer was and masked it with Strike thinking about Robin’s attack even if he doesn’t name her. It is at this point that I must say on each re-read I feel so stupid to have missed this the first time. What follows is an interview with diplomacy and a chance for Hazel to vent her confusion and a bit more misdirection with the fact that Kelsey knew someone with a motorbike. Blended in seamlessly is Hazel showing the photo that proved Ray’s innocence and Donald’s downfall. Ritchie, motorcycle owner, and Ray sitting next to sea holly. Strike asks to use the bathroom and notes the citation above the cistern for Ray’s heroic deeds. Pardon the pun and the language but what a shitty thing to do, steal a man’s citation and then let it hang over a toilet. Who does that? Apparently a serial killer. The chapter ends with Strike making a few observations about the medical needs of the people in the house before finding a coat ticket and a blister pack of pills. 

Chapter 35 Dominance and Submission

An interesting title starts this chapter, a question of dominance and submission. It starts with the killer thinking about how terrible it is that he was forced to submit to living with three women over the course of his life. This leads to him imagining in great detail killing It (Hazel). He can’t handle the pressure of being charming to Hazel so he leaves early hoping to follow “The Secretary” only to quickly identify the cop who was staking out the offices. Not that that mattered, after all he stood next to Strike and Strike didn’t recognize him.  He looks for Robin at all the places she had been following Platinum to no avail. He worried that she had resigned from her job after being so frightened of his “gift”. If only Robin knew this, maybe she would have stayed… nah not our Robin nothing would keep her from her dream of detection work. He returned home unable to stalk Robin and desperate to kill again. In the creepiest of moments he wakes early and heads to Robin’s house only to dare to lean up against Landy. The chapter ends with him disgusted at Robin spending time with her mother and, “Fucking hated this feeling that his omnipotence was slipping away” (292). After sitting in the mind of a killer we should all take a moment and chuckle at the fact that Matthew’s nickname from him is Pretty Boy. 

Chapter 36

Strike wakes from his slumber and we are told that Robin was right. Strike did in fact have to choose between his two remaining clients. His first active thought of the day is wondering how the talk of the royal wedding may be affecting Robin. As he begins his work day, “The memory of her white face had haunted him all week” (294). Even still the thing he looks forward to is her return to the office later that day. He thinks of all the things he wants to update her on and how he “Missed her presence in the office” (295). Strike was able to have a bit of success on the Whittaker front, he saw Stephanie and was able to at least admit he was not as detached as he thought. His thoughts of the lack of success with Laing is interrupted by a heartbroken (?) Two Times who announces his girlfriend has broken up with him. An exhausted Strike informs his client that he has to take this call. This leads to Wardle informing us that the killer isn’t Digger but they are looking into Devotee. It is very shortly after this that Robin appears. 

“Robin looked taller to Strike than the Robin he kept in his memory: taller, better looking and more embarrassed” (299). Poor exhausted Strike gets to meet the mother-in-law, I mean, Linda in this exhausted state.  Robin takes comfort in the fact that if her mother is trying to detect any feelings between the two at least Strike looks like death warmed over. Of course, this seems to have not stopped Linda as she tells Robin “I like him, and I have to say, he might not be pretty, but he’s got something about him.”  Robin then, like the Queen from Hamlet’s Mousetrap, protests too much with the line “Sara Shadlock feels the same way” (300).  But then again Robin does not take Strike’s temper and comments as the concern he genuinely feels but as an attack on her ability to do the job. This sends Robin into a tailspin of thoughts and images of Strike downgrading her feelings and spreading her private business around to Elin in a manner similar to Matthews.  Linda, of course, sees all and with five minutes left to her visit gives Robin money and a bit of an ultimatum. Use the money for wedding shoes or a new single life. It seems though that Linda thinks Robin is still in love with Matthew after all she has told no one else about the break up.  Robin then speaks up against an unkempt man who offers comfort and decides she is going to follow her own lead without telling Strike. 


Chapter 37

The next day Robin decides to watch the wedding while working from home with Matthew. She notes that Matthew isn’t even trying to engage with her and honestly with all the other stuff going on who would want to call the time of death on a relationship only to have to start a single life with a serial killer after you. So instead of breaking it off she goes to every brothel website and dark corner of the web in search of Brockbank. She only looks up occasionally, spotting a glimpse of the Princes and the moment of Kate Middleton getting into the car. Robin notes she had her own long sleeves removed from her wedding gown when they changed dates. She receives a text from a person that we are not sure of and informs them that she is who she says she is. Going so far as to send them a picture to confirm her identity. I can only imagine how Strike would feel about that. The taking of the picture startles Matthew in such a way that Robin becomes aware of his crying. The wedding makes her remember her own engagement at the statue of Eros in Piccadilly Circus. (Although thanks to our own detectives in the group we now know it is not Eros but Anteros). Matthew points out that the royal couple split up and asks her if it is really over. Robin takes a small jaunt down memory lane that interestingly enough ends with an incomplete thought of Strike and Elin… (Cue the song I won’t say I’m in Love) before accepting the tragic looking Matthew and calling his name. 

Chapter 38 

The killer is back and this time he has taken his anger out, slightly, on It in order to get out of his house. He is even more desperate to kill because his girlfriend dared to hint at the possibility of commitment with him in light of the royal wedding. The Secretary reached her importance by just what she can do for him. He thinks about how he has never tracked a woman for so long. Which leads me to think when did he actually start tracking her? It would have had to have been before the start of the novel. Right? As he walks the streets looking for someone to kill he thinks of how times have changed and how hard it is to find a whore to kill. It must be his lucky night though because before long he finds one who is left without her previous two companions. He doesn’t say much to her and ironically saves her from being flattened by an oncoming white van (why does this feel like foreshadowing the van in Troubled Blood?). Somehow, through drink or drugs and the use of a dominant tone he is able to get her down an alleyway where he stabs her three times before his luck runs out and she is able to scream. He keeps attacking her though before she is able to get out a second scream and with that he removes two fingers before people arrive on the scene. He is able to get away through sneaking a bit of running and well luck again because somehow he finds his way onto a bus and no one notices the blood he wiped off his hands onto his jacket. I have to assume it is because it is late and dark, that said I may be looking much closer at any companions on bus rides in the near future. 

Chapter 39 

This chapter starts with Elin telling Strike that us Americans finally killed Bin Laden.  And Strike being so tired that he almost fell asleep during sex the night before but hey at least he finished the job. Go Strike?!? The man is known for having women love him and love being with him and then Jo gifts us with this little jem, that he almost fell asleep on her. Of course then she breaks my heart by informing us that Elin drove Strike to the tube that morning. I say we start a petition that only Robin is allowed to drive Strike anywhere. Elin then tells him she is ready to stop hiding the fact that they are dating and Strike tells a white lie to get out of it. After all, “In thirty-seven years, Strike had avoided the status of ‘Mummy’s Boyfriend’”(318). And yet three years later he can’t make that same claim. Is it because Elin had a daughter and Madeline a son? He walks up the stairs wondering why he never asked the landlord to fix the elevator only to see someone is in the office. This is not the happy reunion we would like though. Strike is upset that Robin is there, after all there is a serial killer after her, and then there is the ring glittering, back on her finger. Robin thinks she feels defensive, which is interesting, and Strike responds as only Strike can, stoically asking if it is back on and then getting down to the business at hand: that there is no business. But Robin has come prepared, shockingly with Matthews help and with a dose of pure Robin telling him outright he looks like shit. I have to wonder though if he would have reacted differently to her joining the police if she hadn’t started it out with “I’d do better to take Wardle up on-(321) Strike doesn’t even let her finish the statement before he is demanding what Wardle offered. Anyway that seems to be the trick because after one last plea he agrees to let her come back to work. He thinks for a minute she is going to hug him but she doesn’t and he wonders if the ring being back has de-sexed him. Robin tells him of her new lead and the way she is using Strike to get Jason to talk. Strike like every grumpy trope there is drinks the tea she made and offers next to nothing except acne medication (more on that later) and a coat ticket. 

Chapter 40

The last chapter of this section of the read-along and the chapter that makes me swoon. I can not do it the service it deserves because it is three pages of Strike basically saying, “How do I love Robin? Let me count the ways that I don’t love Robin because what are you talking about Love? No, I don't love her… That's crazy talk”. The chapter starts with an Epigraph from the song Searching for Celine. While the epigraph itself seems an odd choice when looking at the lyrics to the entire song it becomes apparent that this is exactly where Strikes’ head is at. He is lying to himself, he is lying to her, he is avoiding loving her because if he admits how he feels it would kill him. He wouldn’t be able to be the grumpy single ex-boxer from the army and instead would be happy, satisfied, content, and man what a thrill that would be from the peripatetic, unsatisfying first 37 years. He starts by stating the facts of the prosecution if you will. She is a decade younger, she was his secretary yadda, yadda, yadda. But “somehow she persuaded him to let her stay” (328). Oh Strike, come on big guy, it’s ok. We all know that when she was about to leave you were felt with that same longing from when you were a little boy and you wanted to keep that small garden snake. We know you felt that way before she did any persuading you softie you. He continues to admit that everyone likes Robin. That italics is saying all kinds of things with tone and mood and I am here for it! He continues to think about how she helped heal him from the wounds Charlotte had inflicted and thought about how they knew things about each other that few others did the would be baby and the rape. Then he continues on because the man walking with his arm around her waist felt so good, and yea Matthew definitely would not have liked that at all. Strike finally admits that she is a very sexy girl! Yet he says that she has the opposite effect of Charlotte: she gets men to talk while Charlotte makes them dumb struck. As good as it is to hear him think she is very sexy, I have to say my favorite line in this chapter is simply this “Yet he liked her face” (329). It reminds me of Rex Harrison singing, “I’ve grown accustomed to her face”.  Which, like poor Professor Higgins, leads him to think how she is the sort for marriage and then he, just like the professor, gets angry about how different they are. After all she had a bloody pony! But then again she would have been destined to be SIB and she did all these amazing and wonderful detective things and she would have been a member of the police force if not for the rape. Then he starts thinking about how terrible Matthew is as a partner for her and how she possibly could not have felt what he felt in Barrow. But then yet again like Henry Higgins he makes the “logical” conclusion. He just needs to stay with Elin for now after all. Once you break up, it's only a matter of time before you break up again. So to end this roller coaster of a chapter and tie it with a My Fair Lady bow… Poor Detective Strike! Until next time friends! Thanks for reading. 


London Travelogue Part 1.

We landed in London around 7:15AM Tuesday morning, and, after assorted immigration activities, figuring out how to get the Tube to our hotel, and other chores like changing some money and getting a SIM card for the phone, we were left with one major goal for the day: stay awake as long as possible so as to reset our circadian rhythms and ward off jet lag. Just to clarify, I am traveling with my husband of 33 years, this trip being a belated (thanks to COVID) 30th anniversary celebration. To my delight, Brian, who agreed to watch the Strike TV series with me, but has never read the books, agreed that the best way to get our bearings around our Seven Dials-area hotel was to explore all the Strike-related sights within walking distance. I don’t know if this was an effort to make sure I had fun the first day or to try to get it out of my system so I’d be up for more traditional touristing going forward, but it was a great day. 

Now, to share the photographic evidence, with sights listed in order by book. 
First, the Eros/Anteros statue in Piccadilly Circus, the site of the Flobberworm’s proposal that launched the series. 

Next, the actual location of the CB Strike Detective Agency, 26 Denmark Street, where Robin finds a much more fulfilling life the next day. 

Third, the pub formerly known as the Tottenham, the place of so many drunken confessions. 

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Wong Keiwhere Strike meets Spanner to hand over Lula Landry’s laptop 
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Hamley’s, the “best toy store in the world” where Strike buys Jack’s birthday gift and, later, Christmas presents for all his nephews.
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Cipriani’s, lunch spot of the rich and famous of Cuckoo's Calling

The Cambridge, where Robin and Strike celebrated his 36th in The Silkworm.  I think Strike returned once in TIBH.


The lovely Hazlitt Hotel, where Strike takes Robin for safety in COE.  


The Red Lion: Where Robin, in Lethal White, gets soaked in O.J. and, worse, has to talk to Sarah Shadlock.

Franco’s, where Charlotte lures Strike for an unwanted conversation in Lethal White.  Nearby, I spotted a security guard at an unmarked door that I think was the location of Pratt's, but I was too chicken to either take his photo or say, "Hi, George." 

                                           

The Shakespeare’s Head, where Strike meets Shanker in Troubled Blood

Fortnum and Mason, where Robin and Strike interview Onaugh Kennedy. 

Liberty’s: site of Strike’s unsuccessful Christmas shopping trip and where he later takes Robin to pick out her own perfume.


The Stafford Hotel, location of the American Bar, where Robin gets two black eyes.

The Bar Italia where Robin and Strike have a breakfast meeting, thankfully without Morris, in TB. 

The Ritz: location of Robin’s 30th and the near-kiss. 

Bob Bob Ricard, where Robin laments her love life and Ilsa announces her pregnancy. 

Gerrard’s Corner, another Chinatown sight and another choice for Singapore noodles, this time in TIBH

This lovely bird I photographed in Green Park turned out to be a magpie, so I’ll assume it was the inspiration for a certain cartoon character.
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And finally, Rupert’s Court, the China Town site featured in Rowling's twitter header, we have been told to expect "someone or something" to be found in The Running Grave

That was a long day of walking, folks.  I’ll be back later in the week with more.